based in Berlin
Education
2008 | MFA, Massachusetts College of Art and Design, Boston, USA |
2005 | Diploma FH, Muthesius Academy of Fine Arts, Kiel, Germany |
Staatsexamen, Christian-Albrechts-University, Kiel, Germany | |
2002-2003 | Studies of Fine Arts, University Complutense, Madrid, Spain |
Awards / Scholarships / Residencies
2023 | Goldrausch Künstlerinnenprojekt Berlin |
2022 | Fellow of the interdisciplinary Robotics Project KuRoBi4all (Art Spring, Berlin School of Economics and Law -HWR, Stadtbibliothek Pankow), Berlin, DE |
2021 | Projektstipendium Neustart Kultur Modul C, BBK-Projektbüro, Berlin, DE |
Recherchestipendium Bildende Kunst 2021, Senatsverwaltung für Kultur und Europa, Berlin, DE | |
2020 | Studio 170 Residency, Goethe-Institut Boston, MA, US |
2018 | Cuts and Burns Residency, Outpost Artists Resources, NYC, US |
2014/15 | Recherchestipendium Filmförderung Hamburg Schleswig-Holstein GmbH |
2013 | HomeBase Nano Residency (funded by the Andy Warhol Foundation), Jerusalem, IL |
2012 | Artist in the Marketplace (AIM), Bronx Museum of Art, NYC, US |
2011-2013 | Luther Gregg Sullivan Visiting Artist, Wesleyan University, CT, US |
2010 | Yaddo, Artist in Residence, NY, US Flux Factory, Artist in Residence, NY, US |
Flux Factory, Artist in Residence, NY, US | |
German Academic Exchange Service (DAAD), three-month travel grant for NYC | |
2008 | Yaddo, Artist in Residence, NY, US |
2006-2008 | Graduate Scholarship Massachusetts College of Art and Design |
2005 | 1st price, Muthesius Preis of the NordwestLotto Schleswig-Holstein GmbH & Co. KG |
2002-2003 | German Academic Exchange Service (DAAD), one year scholarship for Madrid |
Solo and Two Person Exhibitions
2022 | … kann man so machen, aber hat seine Nachteile., Stadtbibliothek Berlin Pankow, DE (with Friedrich Weber and Max Mathot) |
2020 | Quiet Fulfillment, Studio 170 Goethe Institut Boston, MA, US |
2018 | TEU, Videorama, Werkleitz Gesellschaft, Halle, DE |
Trajectories, Eli Marsh Gallery, Amherst College, MA, US | |
2017 | Lines that Fade and Flutter, Proof Gallery Boston, US (with Billie Mandle) |
2016 | Re: AW: Re: belle continu, Künstlerhaus Sootbörn, Hamburg, DE (with Swen-Erick Scheuerling) |
Afterglow, Filmfest Schleswig Holstein, Kiel Germany, DE | |
2013 | Remodeling Zilkha, Zilkha Gallery, Wesleyan University, CT, US |
2011 | sicht.linie.blick.feld. Westwerk e.V., Hamburg, DE (with Swen-Erick Scheuerling) |
Group Exhibitions / Screenings (*catalog)
2022 | LUX, artspring Lichtkunstfestival, Pavillon am Milchhof, Berlin, DE |
2021 | Sehnsucht, Scotty, Berlin, DE |
2020 | Cuts and Burns Screening Series, Outpost Artists Resources, NY, US (online screening) |
Area Code Art Fair, Video/Digital Art Drive-in Project, O'Keefe Sports Complex, Salem State University, Salem, MA, US (screening) | |
33. Stuttgarter Filmwinter - Festival for Expanded Media, Stuttgart, DE (screening) | |
2019 | 23rd International Video Festival Videomedeja, Novi Sad, SRB (screening) |
Sargassomeer, Frappant, Hamburg, DE | |
2017 | 20/92 Video Festival, Icebox Project Space, Philadelphia, US |
Bushwick Open Studios, Brooklyn, NY, US | |
Through a Honeycomb,Treslte Projects, Brooklyn, NY, US | |
2016 | Bushwick Open Studios, Brooklyn, NY, US |
20/92 Video Festival, Icebox Project Space, Philadelphia, US | |
Have you ever heard of happiness springing from a deep well of sorrow?, Mountain Gallery, Brooklyn, NY, US | |
Centering, Landmark College, VT, US * | |
2014 | the sun is when calling, Frappant, Hamburg, DE |
Mon amie – l´image, VKunst Frankfurt, Frankfurt, DE * | |
Value Systems, New Haven Museum, New Haven, CT, US | |
Bremer Kunstfrühling (group project with Westwerk Hamburg), Gleishalle am Güterbahnhof, Bremen, DE | |
27. Stuttgarter Filmwinter – Festival for Expanded Media, Stuttgart, DE | |
2013 | Betreff 28, Westwerk, Hamburg, DE |
AIM Biennial, Bronx Museum of Art, NYC * | |
Bronx Calling, The Bronx Museum of the Arts, NY , US(screening) | |
Bronx Calling, Wave Hill, NY, US (screening) | |
Unsichtbar, Westwerk, Hamburg, DE | |
OVC, Institute of Contemporary Art, Philadelphia, US | |
2012 | OVC Screening, Institute of Contemporary Art, Philadelphia, US (screening) |
Videorover: Season IV, NURTUREart, Brooklyn, NY, US | |
MassArt Alumni Show, Fountain Studio, Brooklyn, NY, US | |
2011 | Facing the Artwork, Video Art Festival, Werkleitz - Centre for Media Art, Halle Saale, DE |
Körpersichten, Lessingbad Kiel, DE * | |
2010 | Communicating Forms: Aesthetics, Relationality, Collaboration (a collaboration with Flux Factory), DoVA Temporary, Chicago, US |
Quadratkubikmeter hoch eins, Nachtspeicher 23 e.V. Hamburg, DE | |
contemporary art ruhr (C.A.R.), Forum and Media-Art Fair, Welterbe Zollverein Essen, DE * | |
2009 | Experimental Media Series, Washington Project for the Arts at the Phillips Collection, MICA Baltimore, US |
New Media, Boston City Hall, US | |
SAMPLE #2, Projektraum Deutscher Künstlerbund, Berlin, DE | |
2008 | Northeast Price Show, Cambridge Art Association, Cambridge, US |
MFA thesis show, Massachusetts College of Art and Design, Boston US * | |
SAMPLE #1, Projektraum Deutscher Künstlerbund, Berlin, D (screening) | |
2007 | IFCT Screening, Monkey Town, Brooklyn NY, US |
Miradores, Matadero de Legazpi, Madrid, ES | |
Kunst machen Kunst lehren, Kunstraum B, Kiel, DE | |
Augenweide Film festival, Schleswig-Holstein, Kiel, DE | |
2006 | Incoming, Massachusetts College of Art, Boston, US |
Body in the Blue - part II, Halle Electron, Breda, NL (screening) | |
Body in the Blue - part IV, Theaterhalle Künstlerverein Malkasten, Düsseldorf, DE | |
40 Jahre Videokunst - was fehlt?, Projektraum Deutscher Künstlerbund Berlin, DE | |
Videoformes 2006, Clermont Ferrand, FR | |
Viper 2005, [ plug.in ], Basel, CH | |
2005 | Miradores, Berzosa del Lozoya, Madrid, ES |
Muse heute, Museum of Fine Arts, Bremen, DE * | |
Gottfried Brockmannpreis 2005, Stadtgalerie Kiel, DE * | |
Thesis show (diploma), Museum of Fine Arts Kiel, DE | |
backup_ festival.neue medien im film, Weimar, DE * (screening) | |
2004 | Viper 2004, Museum for Contemporary Art, Basel, CH * |
Weisse Nächte, Museum of Fine Arts Kiel, DE | |
Augenweide, Film festival Schleswig-Holstein, Kiel, DE (screening) | |
Indepedent days, Film festival Karlsruhe, DE (screening) | |
2003 | Miradores, Berzosa del Lozoya, Madrid, ES * |
Emergencias 2, Casa Encendida, Madrid, ES (screening) |
Public Collections
VideoArtBar, digital video archive, Deutscher Künstlerbund, Berlin |
Werkleitz-Archive, Werkleitz - Centre for Media Art, Halle Saale |
Visiting Artist Lectures
2021 | Europa-Universität Flensburg, Irgendwas-mit-Medien-Zentrum Filmgesprächsreihe, Flensburg |
2020 | Massachusetts College of Art and Design, Boston, MA, Cine Culture |
2019 | Massachusetts College of Art and Design, Boston, MA, Alumni Panel |
2018 | Amherst College, Amherst, MA, US (Art & the History of Art Department) |
2014 | University of Oklahoma, Norman, OK, Fred Jones Jr. Museum of Art |
2013 | Muthesius Academy of Fine Arts, Kiel, Germany (Sculpture and Media Art Department) |
SUNY New Paltz, NY, (Art Department, Digital Photography and Digital Video class, Skype lecture) | |
Grinnell College, Grinnell, IA (Department of Art, German Department) | |
Ball State University, IN (Department of Art, Video and Intermedia Art class) | |
2010 | Ball State University, IN (Department of Art, Video 1 class, Skype lecture) |
2009 | Muthesius Academy of Fine Arts Kiel, Germany (Sculpture Department) |
2008 | Massachusetts Institute of Technology, MA (Center for Advanced Visual Studies, Photography and Related Media class) |
Publications
Lines that Fade and Flutter at Proof Gallery, Boston Art Review bostonartreview.com, by Avery Robertson and BAR, Editorial 2018 |
Centering, Landmark College, VT, 2016 |
Mon amie – l´image, VKunst Frankfurt, Frankfurt, 2014, ISBN 978-3-9814828-7-4 |
Aspect- A Chronicle of New Media Art, Volume 4 Deja Vu (DVD), 2012 |
Körpersichten/Dokumentation zur Ausstellung, Muthesius Kunsthochschule Kiel, 2012, ISBN 978-3-943763-03-4 |
Crossing the line – Janne Höltermanns Videoinstallation 'kacheln“ im Lessingbad Kiel, infomedia-sh.de, Lorenz Müller, 2011 |
MFA Thesis ’08, Massachsetts College of Art and Design, Boston, 2008 |
Die Kamera filmt die Kamera, die filmt, Gottfried Brockmann Preis 2005, Petra Gördüren, Stadtgalerie Kiel, Kiel, Germany, 2005, ISBN 3-927979-68-6 |
Muse Heute? Inspirationsquellen aktueller Kunst, Wulf Herzogenrath und BarbaraNierhoff, Städtische Galerie im Buntentor and Kunsthalle Bremen, Bremen, 2005, ISBN 3-89757-318-0 |
Media at Muthesius.05 (DVD), Muthesius Kunsthochschule, Kiel, 2005 |
backup, festival.neue medien im film 2005, netzwerk filmfest e.V., Weimar, 2005 |
Manipulation der Zeit, Alumni Magazin der Muthesius Kunsthochschule, Ausgabe 5, Kiel, 2005 |
Generations on the Move - Viper Basel, Internationales Festival für Film Video und Neue Medien, Basel, 2004 |
Mirador, María García Ibañez, Iván Gomez-España del Val, Alonso Ruíz Falcon, Madrid, Spanien, 2003, ISBN 84-609-0541-1 |
Frei.machen, Ministerium für Bildung, Wissenschaft, Forschung und Kultur des Landes Schleswig Holstein, MuthesiusHochschule Kiel, Fachklasse für Medienkunst, Kiel, 2002, ISBN 3-00-009576-4 |
Teaching 2011-2021
Massachusetts College of Art and Design, Boston MA (Film/Video Department and Professional and ContinuingEducation) |
School of the Museum of Fine Arts at Tufts University, Boston MA (Media Arts) |
Boston College, Boston MA (Art, Art History, and Film Department) |
Drew University, Madison NJ (Art Department) |
Wesleyan University, Middletown CT (Art Studio Department) |
Impressum und Datenschutz
Education
2008 | MFA, Massachusetts College of Art and Design, Boston, USA |
2005 | Diploma FH, Muthesius Academy of Fine Arts, Kiel, Germany |
Staatsexamen, Christian-Albrechts-University, Kiel, Germany | |
2002-2003 | Studies of Fine Arts, University Complutense, Madrid, Spain |
Awards / Scholarships / Residencies
2023 | Goldrausch Künstlerinnenprojekt Berlin |
2022 | Fellow of the interdisciplinary Robotics Project KuRoBi4all (Art Spring, Berlin School of Economics and Law -HWR, Stadtbibliothek Pankow), Berlin, DE |
2021 | Projektstipendium Neustart Kultur Modul C, BBK-Projektbüro, Berlin, DE |
Recherchestipendium Bildende Kunst 2021, Senatsverwaltung für Kultur und Europa, Berlin, DE | |
2020 | Studio 170 Residency, Goethe-Institut Boston, MA, US |
2018 | Cuts and Burns Residency, Outpost Artists Resources, NYC, US |
2014/15 | Recherchestipendium Filmförderung Hamburg Schleswig-Holstein GmbH |
2013 | HomeBase Nano Residency (funded by the Andy Warhol Foundation), Jerusalem, IL |
2012 | Artist in the Marketplace (AIM), Bronx Museum of Art, NYC, US |
2011-2013 | Luther Gregg Sullivan Visiting Artist, Wesleyan University, CT, US |
2010 | Yaddo, Artist in Residence, NY, US Flux Factory, Artist in Residence, NY, US |
Flux Factory, Artist in Residence, NY, US | |
German Academic Exchange Service (DAAD), three-month travel grant for NYC | |
2008 | Yaddo, Artist in Residence, NY, US |
2006-2008 | Graduate Scholarship Massachusetts College of Art and Design |
2005 | 1st price, Muthesius Preis of the NordwestLotto Schleswig-Holstein GmbH & Co. KG |
2002-2003 | German Academic Exchange Service (DAAD), one year scholarship for Madrid |
Solo and Two Person Exhibitions
2022 | … kann man so machen, aber hat seine Nachteile., Stadtbibliothek Berlin Pankow, DE (with Friedrich Weber and Max Mathot) |
2020 | Quiet Fulfillment, Studio 170 Goethe Institut Boston, MA, US |
2018 | TEU, Videorama, Werkleitz Gesellschaft, Halle, DE |
Trajectories, Eli Marsh Gallery, Amherst College, MA, US | |
2017 | Lines that Fade and Flutter, Proof Gallery Boston, US (with Billie Mandle) |
2016 | Re: AW: Re: belle continu, Künstlerhaus Sootbörn, Hamburg, DE (with Swen-Erick Scheuerling) |
Afterglow, Filmfest Schleswig Holstein, Kiel Germany, DE | |
2013 | Remodeling Zilkha, Zilkha Gallery, Wesleyan University, CT, US |
2011 | sicht.linie.blick.feld. Westwerk e.V., Hamburg, DE (with Swen-Erick Scheuerling) |
Group Exhibitions / Screenings (* catalog)
2022 | LUX, artspring Lichtkunstfestival, Pavillon am Milchhof, Berlin, DE |
2021 | Sehnsucht, Scotty, Berlin, DE |
2020 | Cuts and Burns Screening Series, Outpost Artists Resources, NY, US (online screening) |
Area Code Art Fair, Video/Digital Art Drive-in Project, O'Keefe Sports Complex, Salem State University, Salem, MA, US (screening) | |
33. Stuttgarter Filmwinter - Festival for Expanded Media, Stuttgart, DE (screening) | |
2019 | 23rd International Video Festival Videomedeja, Novi Sad, SRB (screening) |
Sargassomeer, Frappant, Hamburg, DE | |
2017 | 20/92 Video Festival, Icebox Project Space, Philadelphia, US |
Bushwick Open Studios, Brooklyn, NY, US | |
Through a Honeycomb,Treslte Projects, Brooklyn, NY, US | |
2016 | Bushwick Open Studios, Brooklyn, NY, US |
20/92 Video Festival, Icebox Project Space, Philadelphia, US | |
Have you ever heard of happiness springing from a deep well of sorrow?, Mountain Gallery, Brooklyn, NY, US | |
Centering, Landmark College, VT, US * | |
2014 | the sun is when calling, Frappant, Hamburg, DE |
Mon amie – l´image, VKunst Frankfurt, Frankfurt, DE * | |
Value Systems, New Haven Museum, New Haven, CT, US | |
Bremer Kunstfrühling (group project with Westwerk Hamburg), Gleishalle am Güterbahnhof, Bremen, DE | |
27. Stuttgarter Filmwinter – Festival for Expanded Media, Stuttgart, DE | |
2013 | Betreff 28, Westwerk, Hamburg, DE |
AIM Biennial, Bronx Museum of Art, NYC * | |
Bronx Calling, The Bronx Museum of the Arts, NY , US(screening) | |
Bronx Calling, Wave Hill, NY, US (screening) | |
Unsichtbar, Westwerk, Hamburg, DE | |
OVC, Institute of Contemporary Art, Philadelphia, US | |
2012 | OVC Screening, Institute of Contemporary Art, Philadelphia, US (screening) |
Videorover: Season IV, NURTUREart, Brooklyn, NY, US | |
MassArt Alumni Show, Fountain Studio, Brooklyn, NY, US | |
2011 | Facing the Artwork, Video Art Festival, Werkleitz - Centre for Media Art, Halle Saale, DE |
Körpersichten, Lessingbad Kiel, DE * | |
2010 | Communicating Forms: Aesthetics, Relationality, Collaboration (a collaboration with Flux Factory), DoVA Temporary, Chicago, US |
Quadratkubikmeter hoch eins, Nachtspeicher 23 e.V. Hamburg, DE | |
contemporary art ruhr (C.A.R.), Forum and Media-Art Fair, Welterbe Zollverein Essen, DE * | |
2009 | Experimental Media Series, Washington Project for the Arts at the Phillips Collection, MICA Baltimore, US |
New Media, Boston City Hall, US | |
SAMPLE #2, Projektraum Deutscher Künstlerbund, Berlin, DE | |
2008 | Northeast Price Show, Cambridge Art Association, Cambridge, US |
MFA thesis show, Massachusetts College of Art and Design, Boston US * | |
SAMPLE #1, Projektraum Deutscher Künstlerbund, Berlin, D (screening) | |
2007 | IFCT Screening, Monkey Town, Brooklyn NY, US |
Miradores, Matadero de Legazpi, Madrid, ES | |
Kunst machen Kunst lehren, Kunstraum B, Kiel, DE | |
Augenweide Film festival, Schleswig-Holstein, Kiel, DE | |
2006 | Incoming, Massachusetts College of Art, Boston, US |
Body in the Blue - part II, Halle Electron, Breda, NL (screening) | |
Body in the Blue - part IV, Theaterhalle Künstlerverein Malkasten, Düsseldorf, DE | |
40 Jahre Videokunst - was fehlt?, Projektraum Deutscher Künstlerbund Berlin, DE | |
Videoformes 2006, Clermont Ferrand, FR | |
Viper 2005, [ plug.in ], Basel, CH | |
2005 | Miradores, Berzosa del Lozoya, Madrid, ES |
Muse heute, Museum of Fine Arts, Bremen, DE * | |
Gottfried Brockmannpreis 2005, Stadtgalerie Kiel, DE * | |
Thesis show (diploma), Museum of Fine Arts Kiel, DE | |
backup_ festival.neue medien im film, Weimar, DE * (screening) | |
2004 | Viper 2004, Museum for Contemporary Art, Basel, CH * |
Weisse Nächte, Museum of Fine Arts Kiel, DE | |
Augenweide, Film festival Schleswig-Holstein, Kiel, DE (screening) | |
Indepedent days, Film festival Karlsruhe, DE (screening) | |
2003 | Miradores, Berzosa del Lozoya, Madrid, ES * |
Emergencias 2, Casa Encendida, Madrid, ES (screening) |